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(London: Routledge, 1992).
Senior, Mike.  Johnny Dollar & Simon Palmskin: Recording
Gabrielle s  Rise  , Sound on Sound, July 2000.
Sexton, Paul.  Portishead Find Place on UK Map. Billboard,
October 8, 1994.
Shapiro, Peter. Drum  n Bass: The Rough Guide (London: Rough
Guides, 1999).
Simpson, Dave.  Profile: Geoff Barrow. Guardian, April 11, 2008.
Smith, Andy. Interview with Zeynep I_
1
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k for  30
Desibel for Kanal B. Online: http://www.youtube.com/
watch?v=TwboRmCQWVY
Taraska, Julie.  Sweet & Sour Times. Request, October 1997.
Thompson, Ben. Seven Years of Plenty: A Handbook of Irrefutable Pop
Greatness 1991 1998 (London: Victor Gollancz, 1998).
Thompson, Ben.  Light in the West. Observer, February 17,
2008.
Trynka, Paul.  You Only Live Twice. Mojo, October, 1997.
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" 231 "
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van den Berg, Erik. Interview with Beth Gibbons. Oor, No. 6,
April 8, 1995. Translated by the author.
Vibe.  Portishead. June/July 1995.
Watt. Interview with Adrian Utley. No. 54, December 1997.
Wiederhorn, Jon.  Attitude and Armageddon: A Chat with
Portishead s Geoff Barrow. Microsoft Music Central, undated.
Online: http://kotinetti.suomi.net/heikki.hietala/Interviews/
Geoff%20Attitude.htm
Wilder, Eliot. Endtroducing& (New York, NY: Continuum, 2005).
Young, Rob.  Tangled Up In Blue. The Wire, No. 198, December
1998.
" 232 "
Acknowledgements
Portishead are known for their reluctance to give inter-
views, preferring instead to let the music speak for itself.
I hope that this work will not impede that objective but
instead suggest new perspectives on Dummy and on the
other music discussed in this book. This book owes a
great deal to the journalists and music critics who have
interviewed and covered Portishead since 1994. I have
noted all sources as transparently as possible throughout.
Two invaluable online resources are Phead (http://phead.
org) and Heikki Hietala s [P] (http://kotinetti.suomi.net/
heikki.hietala/index.htm).
I am inexpressibly grateful to numerous people
for their time, patience, and insight, including  but
certainly not limited to  Michael Almereyda, Tom
Astor, Marc Bessant, Steve Berson, Amy Clarke, Sean
Cranbury, Zeid Hamdan, Alexander Hemming, Jay
Hodgson, Gwen Howard, Jay-Jay Johanson, Belinda
Kazanci, Nikki Lynette, Nightmares on Wax, Bram
Schijven, Miles Showell, Anna Shusterman, Rachel
Talalay, Ira Tam, Lee Thomson, Dayna Vogel, Helen
White, and Andy Wright. And, most particularly, to Dave
McDonald and Tim Saul.
" 233 "
DUMMY
I am indebted to Jay Hodgson, musician, recordist,
and writer, for his innumerable insights into Dummy and
production techniques. To identify just two areas, this
book s discussion of Dummy s vocals and its snare sounds
would not exist in the same form without his perspective.
Similarly, my thanks to Steve Berson, Mastering
Engineer at Total Sonic Media, for his considerable
insight, including into the album s stereo differentiation;
and to singer/songwriter and vocal coach Helen White,
M.Mus., for the benefit of her experience and insight (not
to be confused with the Helen White who recorded with
Bristol band Alpha). All errors are, of course, my own.
Zeid Hamdan s music can be found at http://www.
lebaneseunderground.com and http://www.lebaneseun-
dergroundshop.com. Please see the online resources
below for links relating to other music and musicians
described in this book.
I must thank Steven Connor for his earlier critical
guidance, so important in matters of taste, style, and
judgment, and, for the purposes of this book, subject matter.
My limitless thanks to those whose support sustained
me during the writing of this book, many of whom
became at various stages this book s first readers. Among
them: Freddie Arps, Sam Mamudi, Natalie Bromehed,
Justin Sorbara-Hosker, Sebastian Hanna, Margaret
Abela, Rekha Lakra, and Chris Mousseau. [ Pobierz całość w formacie PDF ]